Daily Drops · Vol.171每日唱片 · Vol.171
The first and last track titles on Solaris are map coordinates. 十五歲的首張專輯，中間四首用的是別人改的譜
Space Afrika — Quiet Storm
- Genre類型
- Ambient · Trip-Hop · Experimental Electronic
- Label廠牌
- Dais Records
- Format介質
- Vinyl / CD / Streaming
- Released發行
- 2026-09-25
Nine of the thirteen tracks carry a guest credit, which is an odd ratio for a record shelved under ambient. The title borrows a piece of American radio scheduling: quiet storm, the late-night slow-jam format built in the mid-seventies around solo singers and low volume. Space Afrika take that slot and crowd it. The rapper RXKNephew and the singer Klein turn up together inside "Ballad For A 'G'," which runs one minute forty. Durations are handled with the same indifference: the opener with Axelle Fanyo goes 8:15, then "Black and Gold" lasts fourteen seconds and "1,2" lasts five, too brief to be pieces and closer to two breaths caught on tape. The duo is two men who share a first name, Joshua Tarelle Reid and Joshua Inyang, one in Manchester and one in Berlin. Quiet, on this evidence, is something they assemble rather than something left over after the noise goes. 十三首裡九首掛著客席署名，這個比例對一張被歸進氛圍樂的碟來說相當不尋常。專輯名取自七十年代末美國黑人電臺的深夜慢歌編排格式，那是為獨唱歌手設計的時段；這張碟卻把說唱歌手 RXKNephew 與實驗歌手 Klein 一起塞進一分四十秒的〈Ballad For A 'G'〉。曲目長度也不講規矩：開場〈Vanity ft. Axelle Fanyo〉八分十五，中間卻有十四秒的〈Black and Gold〉和五秒的〈1,2〉，兩首短到來不及成為曲子，更像是兩次換氣。Space Afrika 是二人組，兩個人都叫 Joshua——Joshua Tarelle Reid 與 Joshua Inyang，一個人在曼徹斯特，一個人在柏林。聽完會明白，這張碟的安靜是排出來的，不是剩下來的。
The Ocean — Solaris
- Genre類型
- Post-Metal · Post-Rock · Progressive
- Label廠牌
- Pelagic Records
- Format介質
- Vinyl / CD / Streaming / Hi-Res
- Released發行
- 2026-09-25
Eight tracks, and the first and last titles are sets of coordinates. "52°30'11"N, 13°26'12"E" opens at 2:11 and lands on Berlin, where the band is based; "51°28′30″S, 73°6′11″W" closes at 5:21 and lands in the Última Esperanza waters of Chilean Patagonia. The sixth track is called "Ultima Esperanza" outright, 11:49, so Solaris names the same place twice — in letters at the centre, in numbers at the end. The long one is "Simulacra," 17:19. Six physical editions were pressed, one of them labelled the Ultima Esperanza Edition, six hundred copies, already gone, and two of the others are hardcover books. 八首，頭尾兩首的曲名是經緯度。開場〈52°30'11"N, 13°26'12"E〉兩分十一秒，那組數字落在柏林；收尾〈51°28′30″S, 73°6′11″W〉五分二十一秒，落在智利巴塔哥尼亞的 Última Esperanza 水域。有意思的是第六首就叫〈Ultima Esperanza〉，十一分四十九——同一個地方，中段用字寫了一次，末尾再用數字寫一次，像是先給地名再給座標。全碟最長的是第四首〈Simulacra〉，十七分十九。實體版做了六種，其中一種直接命名為 Ultima Esperanza Edition，限六百張，已經售完。
Trá Pháidín — Cloch 's Claí
- Genre類型
- Experimental Folk · Traditional Irish · Post-Rock
- Label廠牌
- World of Echo
- Format介質
- Vinyl / CD / Streaming
- Released發行
- 2026-09-25
Ten songs standing in for ten stones in a dry-stone wall, a conceit the band take from Myles na gCopaleen's An Béal Bocht; the second track carries that title, 3:23. Everything is sung in Irish, and yet two of the ten titles are in English: "Anglicize Everything," 6:22, and "To Hell or to Connacht," 3:29, the second being what Cromwell's settlement offered. The record was paid for by the DEIS Recording Grant and Ealaín na Gaeltachta, so the language apparatus funded a record partly about tokenism in the language apparatus. Six players, dispersed since 2019 across Conamara Theas, Cathair Chorcaí, Ciarraí, Uíbh Fhailí, Sligeach and Port Láirge. The band is itself a wall assembled from pieces quarried in different places. 十首歌對應一道石牆裡的十塊石頭，概念取自 Myles na gCopaleen 的《An Béal Bocht》，第二首曲名就叫〈An Béal Bocht〉，三分二十三。全碟用愛爾蘭語唱，可是十個曲名裡有兩個是英文：〈Anglicize Everything〉六分二十二、〈To Hell or to Connacht〉三分二十九。後面那句是克倫威爾時代驅趕愛爾蘭人的話。這張碟的製作費來自 DEIS Recording Grant 與 Ealaín na Gaeltachta，也就是說，批評象徵性語言政策的唱片，錢由語言政策出。六個人自 2019 年起分散在 Conamara Theas、Cathair Chorcaí、Ciarraí、Uíbh Fhailí、Sligeach、Port Láirge 六處，這支樂團自己就是一道拼起來的牆。
Gilla Band — Pugnello
- Genre類型
- Noise Rock · Post-Punk · Experimental
- Label廠牌
- Rough Trade Records
- Format介質
- Vinyl / CD / Streaming
- Released發行
- 2026-09-25
What changed on this one is a machine. Daniel Fox, the bassist, produced, and it was his idea to bring in Erica Synths' PĒRKONS HD-01; the guitarist Alan Duggan Borges describes it as closer to a sound-design box than a drum machine, which is how it ended up scattered through parts of the record that have nothing to do with percussion. The opener is "The Angelus," 3:31, named for the bells the Irish state broadcaster still plays every day. Ten tracks, the longest being "Crisp Pop" at 7:43 in ninth position and the shortest "Three Hands Clapping" at 2:09 in fourth. 這張碟變了什麼，答案在一臺機器上。貝斯手 Daniel Fox 兼任製作，是他提議買 Erica Synths 的 PĒRKONS HD-01；吉他手 Alan Duggan Borges 說它比較像聲音設計工具，於是它生成的東西散進了唱片各處，而不只是負責打鼓。開場曲〈The Angelus〉三分三十一，與愛爾蘭國營廣播每天固定播送的鐘聲報時節目同名。十首，最長的〈Crisp Pop〉七分四十三排在第九，最短的〈Three Hands Clapping〉兩分零九排在第四。都柏林四人組，主唱 Dara Kiely。
Ian Noe — Canyon Falls Trailer Band
- Genre類型
- Americana · Country · Singer-Songwriter
- Label廠牌
- Lock13 Records
- Format介質
- Vinyl / CD / Streaming
- Released發行
- 2026-09-25
Sixteen songs about a band that does not exist, auditioning in Nashville for a deal it may not get. The opener shares the album's name, 3:43, and the closer is "Kickin' It In Nashville," 3:36, which shuts the whole thing inside one room. For a Kentucky record the track list wanders: "Antarctica" at 3:15 and "Return of the Interstellar Angels" at 4:35 sit in the middle of it, and the fourteenth song is "Jukebox Blues (For Blaze Foley)." Cut at The Bomb Shelter in Nashville with Andrija Tokić producing, Charlie McCoy of the Country Music Hall of Fame on harmonica, Billy Contreras on fiddle, Russ Pahl on pedal steel. 十六首的概念專輯，主角是一支不存在的樂團，它到納什維爾試演求簽約。開場曲與專輯同名，三分四十三；收尾曲叫〈Kickin' It In Nashville〉，三分三十六，等於把整張碟關在同一個房間裡。一張寫肯塔基的碟，曲目中間卻混進〈Antarctica〉三分十五與〈Return of the Interstellar Angels〉四分三十五。第十四首〈Jukebox Blues (For Blaze Foley)〉題獻給 Blaze Foley。錄音在納什維爾的 The Bomb Shelter，製作人 Andrija Tokić，口琴請到名人堂的 Charlie McCoy。
HIMARI — Debut
- Genre類型
- Classical · Violin · Recital
- Label廠牌
- Decca Classics
- Format介質
- CD / Streaming / Hi-Res
- Released發行
- 2026-09-25
Born 2011, fifteen at the time of release, at Curtis since 2022 with Ida Kavafian, and in 2025 the youngest artist Decca Classics had signed to an exclusive contract; that March she was also the youngest Asian soloist to appear on a Berliner Philharmoniker subscription programme. The programme here is Wieniawski at both ends — the First Concerto with the Berlin Philharmonic under Sebastian Weigle to open, the Faust fantasy in its violin-and-piano version to close — and in between four short pieces, three of which use arrangements made by other violinists: two by Heifetz, one by Milstein. The concerto's first movement runs 16:22, longer than those four encores put together, which come to 14:24. The instrument is a 1732 Guarneri del Gesù, the "Ferni," on loan. HIMARI（妃鞠）2011 年生，這張碟出的時候十五歲。2022 年進柯蒂斯，師從 Ida Kavafian；2025 年成為 Decca Classics 簽下的最年輕專屬藝人，同年三月以最年輕亞裔獨奏家的身分登上柏林愛樂定期音樂會。這張碟的十二個條目其實只有四部作品：頭尾都是 Wieniawski，開頭是第一小提琴協奏曲，末尾是浮士德幻想曲的小提琴與鋼琴版。中間四首短曲有三首用的是別的小提琴家改的譜——Heifetz 兩首、Milstein 一首。協奏曲第一樂章十六分二十二，比中間那四首加起來的十四分二十四還長。琴是 1732 年的 Guarneri del Gesù「Ferni」，借來的。
Estonian National Male Choir, Mikk Üleoja — Requiem for Fallen Soldiers
- Genre類型
- Classical · Choral · Contemporary Classical
- Label廠牌
- Divine Art
- Format介質
- CD / Streaming / Hi-Res
- Released發行
- 2026-09-25
Eduard Tubin's Reekviem langenud sõduritele in five movements, the first and fifth sharing a title, "Ole tervitet, tervitet," at 8:28 and 9:16, so the opening words come back at the end unaltered. The accompaniment has no strings in it: male voices, the mezzo Iris Oja, Indrek Vau on trumpet, two percussionists, Piret Aidulo at the organ. Eight choral miniatures come first, drawn from the homeland years and the exile years, and the eighth, "Taganejate sõdurite laul," 10:39, is the longest of them and concerns retreating soldiers. Tubin left Estonia for Sweden in 1944 and took over the Stockholm Estonian Male Choir the following year. Eduard Tubin 的《Reekviem langenud sõduritele》，五個樂章，第一與第五同名，都叫〈Ole tervitet, tervitet〉，八分二十八與九分十六——開頭那句話到末尾原樣再來一次。伴奏編制裡沒有弦樂：男聲合唱之外只有女中音 Iris Oja、小號 Indrek Vau、兩名打擊樂與管風琴 Piret Aidulo。安魂曲之前先放八首合唱小品，跨了作曲家的家鄉時期與流亡時期，排第八的〈Taganejate sõdurite laul〉十分三十九是這批裡最長的一首，唱的是撤退的士兵，唱完直接接進安魂曲。Tubin 1944 年逃離愛沙尼亞到瑞典，1945 年接手斯德哥爾摩的愛沙尼亞男聲合唱團。
ハク。 — 世界が変わる時
- Genre類型
- J-Pop · Japanese Indie · Alternative Rock
- Label廠牌
- TOY'S FACTORY
- Format介質
- CD / Streaming
- Released發行
- 2026-09-09
A major-label first album, out on the 9th. The copyright line reads 2025 for tracks nine and eleven and 2026 for the other twelve, so two of the fourteen were cut a year before their neighbours. The closer is called 世界, 4:24, the album title with its second half removed. The limited edition adds a Blu-ray of the Umeda Club Quattro date from 13 March, eighteen songs and two encores, six more than the disc. ハク。（Haku.）的 major 第一張全長專輯，補記 9/9。版權行寫著 ℗ 2025(9,11), 2026(1-8,10,12-14)：十四首裡只有第九〈それしか言えない〉與第十一〈夢中貓〉錄於 2025 年，其餘十二首錄於 2026 年。收尾第十四首叫〈世界〉，四分二十四，把專輯名剩下的半截掐掉了。初回生產限定盤附的 Blu-ray 收 2026 年 3 月 13 日梅田 Club Quattro 那場三城巡演最終場，十八首加兩首安可，比 CD 多出六首。
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