Section欄目
Deep Cuts深度樂評
Slower, longer essays. One album, one obsession, no platform's word limit.慢一點、長一點的文字。一張唱片、一種偏執,不為任何平台字數妥協。
Deep Cuts深度樂評
The Salesman Who Invented the Nocturne Alice Sara Ott《John Field: Complete Nocturnes》:你覺得 Field 熟悉,是因為你聽過蕭邦
Alice Sara Ott — John Field: Complete Nocturnes
In the 1790s, if you walked into Muzio Clementi's piano business in London with money to spend, there was a fair chance that the instrument would be demonstrated to you by a thin Irish boy of twelve or thirteen. His name was John Field. His Alice Sara Ott 說,第一次聽 No.1,右手那條旋律像從小就認識。
Deep Cuts深度樂評
Krakatau, "Terra Ignota": A Map That Refuses to Be Finished Krakatau《Terra Ignota》:一張拒絕被畫完的地圖
Krakatau — Terra Ignota
Deep Cuts深度樂評
When the Quartet Returned to the Water Bjørnstad 四重奏《The Sea I & II》:兩張被誤讀為 Rypdal 個人秀的傑作
Ketil Bjørnstad Quartet — The Sea I & II
Deep Cuts深度樂評
Thirty-Seven Minutes of Water 吉村弘《Wet Land》:三十七分鐘的水
Hiroshi Yoshimura — Wet Land
Deep Cuts深度樂評
The Grammar of Silence: Fred Hersch's Songs Without Words Fred Hersch《Songs Without Words》:鋼琴獨奏的幽靜反抗
Fred Hersch — Songs Without Words
Deep Cuts深度樂評
What a Pedal Steel Guitar Is Doing on a Jazz Record 岡田拓郎《Konoma》:一個吉他手的民藝實驗
岡田拓郎 — Konoma