Section欄目
Deep Cuts深度樂評
Slower, longer essays. One album, one obsession, no platform's word limit.慢一點、長一點的文字。一張唱片、一種偏執,不為任何平台字數妥協。
Deep Cuts深度樂評
Paige Su Lets Someone Else Play Guitar 蘇珮卿《The Best of the Worst of Times》:她終於肯讓人幫忙了
蘇珮卿 — The Best of the Worst of Times
In March of 2023, Atwood Magazine ran a feature on You'll Live Forever in My Songs, the second album by the Taiwanese singer-songwriter Paige Su (蘇珮卿), and praised its song "This Is Trouble" for "a breathtaking series of electric guitar sol 製作名單比通稿老實。
Deep Cuts深度樂評
The Salesman Who Invented the Nocturne Alice Sara Ott《John Field: Complete Nocturnes》:你覺得 Field 熟悉,是因為你聽過蕭邦
Alice Sara Ott — John Field: Complete Nocturnes
Deep Cuts深度樂評
Krakatau, "Terra Ignota": A Map That Refuses to Be Finished Krakatau《Terra Ignota》:一張拒絕被畫完的地圖
Krakatau — Terra Ignota
Deep Cuts深度樂評
When the Quartet Returned to the Water Bjørnstad 四重奏《The Sea I & II》:兩張被誤讀為 Rypdal 個人秀的傑作
Ketil Bjørnstad Quartet — The Sea I & II
Deep Cuts深度樂評
Thirty-Seven Minutes of Water 吉村弘《Wet Land》:三十七分鐘的水
Hiroshi Yoshimura — Wet Land
Deep Cuts深度樂評
The Grammar of Silence: Fred Hersch's Songs Without Words Fred Hersch《Songs Without Words》:鋼琴獨奏的幽靜反抗
Fred Hersch — Songs Without Words
Deep Cuts深度樂評
What a Pedal Steel Guitar Is Doing on a Jazz Record 岡田拓郎《Konoma》:一個吉他手的民藝實驗
岡田拓郎 — Konoma