Daily Drops · Vol.181每日唱片 · Vol.181
The grandson scanned every page before anyone agreed who owned them. 所有權至今沒判下來，唱片倒是先出了
Jonathan Powell, Deutsche Staatsphilharmonie Rheinland-Pfalz & Roland Kluttig — Hans Winterberg: Symphony No. 2 & Piano Concerto No. 2
- Genre類型
- Classical · Orchestral · Piano Concerto
- Label廠牌
- Capriccio（C5557）；UPC 845221055572
- Format介質
- CD · Streaming · Hi-Res
- Released發行
- 2026-10-16
買方是公營的蘇臺德德意志音樂研究所，賣方是作曲家的養子 Christoph Winterberg，日期是二〇〇二年九月二日，價格六千馬克。那一年德國早已改用歐元，這筆錢是用一種剛剛退場的貨幣算的。合約禁止外界接觸這批遺產與任何相關資訊，並且明文規定不得把 Winterberg 描述為猶太人，一律稱他「蘇臺德德意志作曲家」；封存期限訂到二〇三一年一月一日。二〇一五年，律師 Randol Schoenberg 從作曲家的外孫 Peter Kreitmeir 手上取得合約副本並公開，輿論壓力之下研究所才撤銷封鎖。這批紙到底歸誰，到現在還沒有答案：研究所仍主張自己是合法所有人，Kreitmeir 則以反猶條款使交易出於惡意為由告上巴伐利亞的法院，至今沒有終局判決。以上細節出自 Michael Haas 在 Forbidden Music 的長文（二〇二五年五月）。碟上的兩部作品隔著一場戰爭的兩端：第二交響曲寫於一九四三到一九四六年，第二鋼琴協奏曲寫於一九四九到一九五一年。Capriccio 的文案把前者說成他一生最黑暗的時刻、後者說成最明亮的時期，那是廠牌的說法，我照錄不背書。錄音地點與日期官方一欄都沒給。
June McDoom — Follow The Light
- Genre類型
- Psychedelic Folk · Dub · Dream Pop
- Label廠牌
- Jagjaguwar；目錄號 未找到
- Format介質
- Streaming
- Released發行
- 2026-10-16
Janne Oinonen gave this seven out of ten at The Line of Best Fit and put his finger on the moment I keep going back to: on ‘Without You’ the harp and a dub bass pushed right to the front end up sharing a single focal point, neither of them agreeing to sit behind the other. The bass has a pedigree. Victor Axelrod, who works as Ticklah on the reggae side, cut the live drums in the basement of his house in Sunset Park, and the rest went down in the home studio McDoom keeps with her partner Evan Wright, tape and digital running at once. Wright played nearly everything, which freed her to stack the harmonies; a friend’s house supplied a room for the harp. 這張的錄音線索比它的曲風好玩。現場鼓軌是製作人 Victor Axelrod 切的，地點是他在布魯克林 Sunset Park 的自家地下室；Axelrod 平常以 Ticklah 這個名字在 dub 與 reggae 那一邊活動，找他來做一張以民謠為底的唱片，這個選擇已經是一種表態。其餘部分由 McDoom 和樂手伴侶 Evan Wright 在自宅工作室完成，磁帶與數位兩條路同時走著錄；豎琴那一軌是借一位朋友家裡錄的。器樂幾乎全由 Wright 包辦，於是她騰得出手去疊人聲和聲，詞曲、主唱與和聲編排都是她自己。The Line of Best Fit 的 Janne Oinonen 給了七分，他點到〈Without You〉把豎琴和一條突前的 dub 貝斯擺進同一個焦點——這是本期少數有署名樂評撐著的判斷，其餘的我會註明是誰說的。
Joseph Nolan — The Complete Alkan Organ Works, Vol. 2
- Genre類型
- Classical · Organ · Romantic
- Label廠牌
- Signum Classics（SIGCD983）；EAN 0635212098325
- Format介質
- CD · Streaming · Hi-Res
- Released發行
- 2026-10-16
The instrument is the Stahlhuth–Jann at the Église Saint-Martin in Dudelange, Luxembourg, standing in a room whose reverb takes its time to clear, and Nolan told Presto he leans on the organ’s sequencer to get a stop change done before the previous sound has finished leaving. He also points out that Alkan wrote no registration marks at all, which means every colour on the disc is a decision Nolan took in that acoustic rather than one he inherited. He gave Kevin Bowyer’s older account the briefest listen and then kept it away from him. The repertoire is the set of studies for the feet alone, hands off the keys; Dupré later called them an indispensable foundation, and Alkan, who never held a church or synagogue post, had worked the technique up on a pedal piano. Signum has four volumes planned at six-month intervals. 本卷收的《12 Études pour les pieds seulement》是一整套只用雙腳踩踏板、雙手完全不碰鍵盤的練習曲。寫它的人一輩子沒有在任何教堂或猶太會堂擔任過管風琴職位：Alkan 的腳鍵技術是在踏板鋼琴上長出來的，據說起因是他被 Nicolas Lemmens 的腳鍵演奏震住了。Dupré 後來把這套曲子評為腳鍵技術完整而不可或缺的基礎。Nolan 在 Presto 的訪談裡講了錄音這一頭的事：樂器是盧森堡 Dudelange、Église Saint-Martin 那臺 Stahlhuth–Jann，堂內殘響約六秒——長到他必須靠管風琴的音栓組合記憶器，才來得及在前一個聲音散掉之前換完音色。另一件事更關鍵：Alkan 的譜上一個音栓指示都沒有，整張碟聽到的配器全是演奏者自己決定的。他說他只極短暫地聽過 Kevin Bowyer 的舊錄音，刻意不讓它進來。Signum 排了四卷，二〇二六到二〇二七每半年一張。
Pardoner — Target Practice
- Genre類型
- Indie Rock · Noise Rock · Post-Punk
- Label廠牌
- Bar/None Records；目錄號 未找到
- Format介質
- Streaming
- Released發行
- 2026-10-16
Buried on a San Francisco noise record is a cover of ‘Changing Mags’ by The Barracudas, a British surf-punk band from 1980, which tells you more about the taste here than the guitars do. Jennifer Kelly, writing it up for Bandcamp Daily, was less sure about the Auto-Tune on the title track. No studio, producer or full lineup has been published, so that is the whole file. 一支靠噪音吉他立身的舊金山樂隊，在自己的標題曲上用了 Auto-Tune。Bandcamp Daily 的 Jennifer Kelly 在當日專輯那篇裡對這個選擇明白表示保留，那是她的判斷，我把它原樣轉給你。雙主唱 Max Freeland 與 Trey Flanigan，第五張專輯，碟上另收了一首 The Barracudas〈Changing Mags〉的翻唱。錄音室、製作人、完整編制官方一概沒公佈，所以這張我只能寫到這裡。
Space（Lisa Ullén, Elsa Bergman & Anna Lund） — London Concert
- Genre類型
- Free Jazz · Improvisation · Live
- Label廠牌
- 查無
- Format介質
- Streaming
- Released發行
- 2026-10-09
Piano, bass and drums, three Swedes, no horn. The recording comes out of Cafe OTO in London, a room that tapes everything it hosts, so this album was not made in the usual sense; it was chosen, afterwards, from material that was going to exist anyway. A venue that archives its own evenings has quietly taken on the job of documenting a whole scene without being asked to, and the question of which night deserves a catalogue number gets answered months later by somebody listening back. Ullén turned up here last month with a different band; this is her own trio. No byline review exists, and the label and catalogue number were never listed. 鋼琴、貝斯、鼓，三個瑞典樂手，沒有管樂。這張錄在倫敦的 Cafe OTO，而那家場地的習慣是把館內每一場演出都錄下來——也就是說，這張唱片不是為了做唱片才架起麥克風的，它是從一批本來就會存在的檔案裡被挑出來、決定拿去發行的。一個場地把自己的每個晚上都留成帶子，等於替整個即興圈做了一份誰也沒委託的紀錄；哪一晚值得變成唱片，是事後才回答的問題。Lisa Ullén 上個月才以另一支班底的現場盤出現在這個欄目裡，這次換成她自己的三重奏。本碟查無任何署名樂評，廠牌與目錄號官方也沒給。
STONE MUSIC — INTO THE COSMIC FOREST
- Genre類型
- Experimental · Free Improvisation · Ambient
- Label廠牌
- Aguirre Records
- Format介質
- Vinyl
- Released發行
- 2026-10-02
Tokio Hasegawa was at the centre of Taj Mahal Travellers, and in 2022 he called a group together again under this name, drawing on the Japanese environmental and experimental scene; they toured India in 2023 and 2024, playing national museums and universities. Both sides here are outdoor field improvisations, and the pieces are named for the days they happened. One was taped at the CAMP Off-Tone festival. The other was taped on the grounds of the Mithila Museum up in the Niigata mountains, which Hasegawa himself runs. Voices, strings, electronics, winds and percussion are listed; no player apart from him is named anywhere, by the label or the shops. Three hundred copies on vinyl. 兩面各一首戶外實地即興現場錄音，曲名就寫錄音那天的日期：〈October 14, 2023〉與〈January 22, 2023〉。A 面錄於環境音樂與聲音藝術祭〈CAMP Off-Tone〉，B 面錄在新潟山區的ミティラー美術館（Mithila Museum）戶外場地，而那座美術館正是長谷川時夫（Tokio Hasegawa）本人經營的藝術空間——他把錄音機架在自己管的地方，這件事比任何場地租借都更說明這個團在做什麼。STONE MUSIC 由他在二〇二二年召集組成，血緣上直接接到タージ・マハル旅行団；二〇二三到二四年他們去了印度巡演，在國立博物館與大學裡演出。編制含人聲、弦樂、電子、管樂與打擊，但除了長谷川本人，官方與零售方都沒有列出任何個別樂手的名字。黑膠限量三百張。
Kaitlyn Aurelia Smith — RUIN: It's Not Just Music
- Genre類型
- Electronic · Jungle · Breakbeat
- Label廠牌
- SOMEONE SPECIAL（出自 iTunes copyright 欄）；目錄號 未找到
- Format介質
- Streaming
- Released發行
- 2026-10-02
她是靠 Buchla 模組合成器和一種慢得出奇的 ambient 被認識的，這張把節奏整個推過每分鐘一百七十拍，走碎拍、jungle 與 drum & bass。Bandcamp Daily 的 Dom Lepore 在當日專輯那篇裡引了她自己的說法，她把這張的作法叫做 sonic combat。副標「It's Not Just Music」被編進曲目表裡面，不是隻掛在封面上。同名單曲早在五月就先放出來了。錄音室、製作人、合作者官方沒給；Lepore 文裡提到的那幾個名字是他的風格參照，不是這張的參與者，別看錯。
等阮返來 — 毋甘
- Genre類型
- Taiwanese Hokkien Rock · Mandarin Alternative Pop
- Label廠牌
- 火氣音樂 Fire On Music（Apple ℗ 行：℗ 2026 Fire On Music Co., Ltd.）；品番 未找到
- Format介質
- Streaming
- Released發行
- 2026-09-25
A Taichung band, together since the end of 2016, releasing singles the whole time and only now arriving at a first EP. What caught my eye in the credits is the mastering: Kris Crummett, an American engineer whose name usually shows up on Sleeping with Sirens and Crown the Empire records, though he has worked with Fire EX. too. A Taiwanese Hokkien rock EP routed through those ears is a decision somebody made on purpose. Liang Yu-chun produced. ‘WhatUWant’ plays English against Hokkien by sound: Seem Like Lonely lands on 心內攏你. They took silver at the 2021 Taichung original music competition. I will give it a couple more listens before saying more. 臺中團，二〇一六年底成團，陸續發過單曲，十年之後才交出第一張 EP。製作人是梁祐鈞，母帶後期找的是美國工程師 Kris Crummett——他的名字平常出現在 Sleeping with Sirens、Crown the Empire 那一掛的唱片上，也做過滅火器。一張臺語搖滾 EP 把母帶送去那樣一雙耳朵手上，結果值得聽聽看。四首歌〈我沒差〉〈WhatUWant〉〈咱〉〈毋甘〉，其中〈WhatUWant〉刻意玩英語與臺語的諧音借義，Seem Like Lonely 對上「心內攏你」。他們二〇二一年拿過臺中原創音樂大賽銀獎。沒有署名樂評，我再聽兩遍再說。
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