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Daily Drops · Vol.195每日唱片 · Vol.195

Tyler Childers produces, his touring band plays, and the record heads for outer space. 一位小提琴手,在祖母留下的鋼琴上寫曲

Randall Dunn — Manifold of Partially Actualized Realities
01 Pick of the Day 今日精選

Randall Dunn — Manifold of Partially Actualized Realities

Genre類型
Experimental · Ambient · Electroacoustic
Label廠牌
Kou Records
Format介質
Vinyl · Streaming
Released發行
2026-11-06

Randall Dunn named his Brooklyn studio Circular Ruin, after the Borges story about a man who dreams another man into being and then learns he is being dreamed himself. It is a good name for a room where so much other people's music has been made: Earth's The Bees Made Honey in the Lion's Skull, Sunn O)))'s Monoliths & Dimensions, records with Marissa Nadler and Anna von Hausswolff. His own album takes its title from a talk Philip K. Dick gave in Metz in 1977, about the realities lying alongside the one we have agreed to live in. Two pieces are spoken. Jim Jarmusch reads on "We Larger Ones We None of Us," a meditation on how the smallest creatures might know more than we do; Laima Leyton reads Robert Graves's "Time" on "Divine Invasion." Aydin Khalili at The Quietus hears Dunn moving past the grey, crushing density of drone-doom toward something closer to Kosmische, with none of the physical force lost. I'm not sure yet which side of the manifold I was on. Randall Dunn 的名字多半印在別人唱片的製作欄裡:Earth 的《The Bees Made Honey in the Lion's Skull》、Sunn O))) 的《Monoliths & Dimensions》,還有 Marissa Nadler、Anna von Hausswolff。他在布魯克林的錄音室叫 Circular Ruin,取自波赫士的短篇〈環形廢墟〉。

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Willi Carlisle — The Universal Bubba
02

Willi Carlisle — The Universal Bubba

Genre類型
Folk · Americana · Country
Label廠牌
Signature Sounds
Format介質
Vinyl · CD · Streaming
Released發行
2026-11-06

Carlisle met Tyler Childers on the Mule Pull tour and wrote the opener, "Mason Jar at the Center of the World," while touring Australia with him. Childers produced this double album, his touring band backs Carlisle, and the whole thing was cut in a New Orleans home studio in a couple of weeks. "I think this one goes to outer space," Carlisle says, and he lists funk, Cajun and old-time among the places it stops on the way. Chris DeVille at Stereogum made it his album of the week and called it a record that celebrates Southern culture while turning it inside out. It works like it's supposed to, he wrote, which from a critic is high praise. 阿肯色的民謠歌手,自稱「big tent folksinger」。兩人是在 Tyler Childers 的 Mule Pull 巡演上認識的,開場〈Mason Jar at the Center of the World〉就是跟著他巡演澳洲時寫的。這次 Childers 來當製作人,帶上自己的巡演樂團,在紐奧良一間家用錄音室兩週錄完一張雙專輯。Carlisle 說這張「上了外太空」:funk、Cajun、old-time 都進來了。Stereogum 的 Chris DeVille 選它當本週專輯,說它既慶祝南方文化,也在顛倒它。

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Jenny Scheinman — One Hundred Years Today
03

Jenny Scheinman — One Hundred Years Today

Genre類型
Jazz · Americana · Chamber Folk
Label廠牌
Royal Potato Family
Format介質
Vinyl · CD · Streaming
Released發行
2026-11-06

A box of postcards sent to her grandmother between 1926 and 1937, from Europe, the Middle East and North Africa, and a piano that came down to her from the same woman: those are the raw materials. The band is the one from All Species Parade, which means Bill Frisell and Julian Lage sharing the guitar parts, with Carmen Staaf, Tony Scherr and Kenny Wollesen. Christopher Hislop at No Depression hears it as both ancient and new. 小提琴手 Jenny Scheinman 找到一盒寄給祖母的明信片,1926 到 1937 年之間,從歐洲、中東、北非一張張寄回來,寫旅行、藝術,也寫怎麼活下去。曲子大多是在祖母留下的那臺鋼琴上寫的。樂團沿用 2024 年《All Species Parade》那一班:Bill Frisell 和 Julian Lage 兩把吉他、Carmen Staaf 鋼琴、Kenny Wollesen 鼓,Tucker Martine 混音。No Depression 的 Christopher Hislop 說它聽起來既古老又全新。

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Czech Philharmonic & Semyon Bychkov — Shostakovich: Symphonies Nos. 5 & 7
04

Czech Philharmonic & Semyon Bychkov — Shostakovich: Symphonies Nos. 5 & 7

Genre類型
Classical · Orchestral · Symphony
Label廠牌
PENTATONE
Format介質
CD · Streaming
Released發行
2026-11-06

Bychkov 和蕭士塔高維契同城長大,身邊從小就是認識作曲家的人。第五號他七〇年代初在列寧格勒音樂學院就指過,2022 年才第一次和捷克愛樂演,之後一路帶到倫敦、維也納、巴黎。第七號《列寧格勒》對他是家事:他母親熬過了那場圍城。

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Hallé & Thomas Adès — Adès Conducts: Kurtág, Adès, Tippett
05

Hallé & Thomas Adès — Adès Conducts: Kurtág, Adès, Tippett

Genre類型
Contemporary Classical · Concerto · Orchestral
Label廠牌
Hallé
Format介質
CD · Streaming
Released發行
2026-11-06

The first record of his time as the Hallé's principal guest conductor, which is also the first formal conducting title Adès has held. It opens with Kurtág's Double Concerto, recorded for the composer's hundredth birthday, with Nicolas Altstaedt and Dénes Várjon as soloists and two chamber ensembles placed apart from each other. His own "Air – Homage to Sibelius" sits beside late Tippett. Adès 今年九月起任 Hallé 首席客座指揮,這是他第一個正式的指揮頭銜。任期第一張,先錄 Kurtág 的雙協奏曲,紀念作曲家百歲:大提琴 Nicolas Altstaedt、鋼琴 Dénes Várjon,曲子寫給兩組室內樂團,在廳裡分開擺放。另收他自己的〈Air – Homage to Sibelius〉,和 Tippett 晚年的三重協奏曲。

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Kabanagu — 図の図(Zunozu)
06

Kabanagu — 図の図(Zunozu)

Genre類型
Alt Rock · Hyperpop · Singer-Songwriter
Label廠牌
Self-released
Format介質
Streaming
Released發行
2026-10-13

1998 年生的唱作人兼 trackmaker,PAS TASTA 的成員。這是三部曲的最後一張,他回到自己根上的另類搖滾:〈プロト〉請ヒトリエ的シノダ彈吉他、Age Factory 的西口直人彈貝斯,〈目送〉由 People In The Box 的波多野裕文彈木吉他。Mikiki 的柴那典說,シノダ那把吉他是從 NUMBER GIRL 一路傳下來的焦躁掃弦。

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沼澤樂隊(Zhaoze) — 時間已回到這地方
07

沼澤樂隊(Zhaoze) — 時間已回到這地方

Genre類型
Post-Rock · Guqin Rock · Chamber
Label廠牌
聲銳文化
Format介質
Streaming
Released發行
2026-11-04

The Guangdong guqin post-rock band's first studio album with outside players: a string quartet, arranged by HoyLiang, who also plays guqin and xiao. Some keyboards were recorded in a basement in Maoming, and one shout on a Maoming beach. The band notes, for the record, that none of it was made with AI. 廣東的古琴後搖樂團,第一次請外援進錄音室:一組弦樂四重奏,編寫者 HoyLiang 同時彈古琴、吹簫。部分鍵盤在茂名一間地下室錄,還有一聲喊是在茂名的海灘上錄下來的。樂團寫明,這張 0% AI 生成。

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HINONABE — LOOP
08

HINONABE — LOOP

Genre類型
Alt Rock · Guitar Rock
Label廠牌
Self-released
Format介質
Streaming
Released發行
2026-10-14

Four twenty-somethings from Chiba whose singer and guitarist have shared a classroom since their first year of high school. They only began in earnest in May 2024. This is the first full album. 千葉的四人樂團,平均二十二歲,前身是同一所高中輕音部的同級生。2024 年五月才正式開始活動,今年六月代官山 UNIT 的專場門票很快賣光。首張完整專輯。

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